On the way to school, NPR ran a story on the Nigerian kidnapping of 230 schoolgirls. It struck me as a parent and a writer about the story. Throughout the day it simmered. On my lunch break I looked up some Yoruba words, and after school drafted the poem. The initial draft was a two pronged poem: a satire of Hollywood writers pitching a film about a father who goes after the kidnappers, and a poem about the sound of the grieving parents. I meant to show a harsh division of worlds and privilege, but one that shared a similar tonal sound--as in machinery, background noise, harmonics, etc. WESTERN/AFRICAN HARMONICS The tubes of this poem vibrate at 1093 hertz, the stir of womb memory. Scene: Lattes, milk galaxies. Three smart execs type out the pitch: a gaunt dark father hunts for his daughter a pretty mother, wasting with tears, gathers a protest. “For Cannes.” They nod and screen down. “We can shoot in South Africa. Cheap, plus local color” “How does it end?” O...
Clippings, news, and ephemera from writer Stephen Scott Whitaker